White on White

With warm tone. That's the way it came out of the camera. Sunny sky filtered through frosted skylight onto an indoor lighting fixture at the Fort Lee historic site, visitor's center. No artificial light was on at the time. A radical shift from the high contrast saturated colors I posted the last couple of days.

Gear: Today I grabbed my 28-105 lens. I used this one all the time with my film camera, a Canon Elan II that I bought when my kids were born about 13 years ago and I wanted to get back into taking pictures with a "real" camera (my only other SLR had been the Canon AT-1 that I got in high school ca. 1979, and it didn't work any more). The lens has a solid reputation as one of the better consumer-level zoom lenses, and a USM focusing motor that is virtually silent.  I also loved the Elan, it had a good solid design that I wish I had in the digital Rebel. The Elan was a step up from the original Rebel line for film, but not very expensive, roughly analogous to the D60 today, but that's close to $1000.00 with tax, I paid about half that for the Rebel XTi  when the price dropped with the release of the XSi a few years ago).

Anyway, 28-105 is a nice walking around lens for a film camera, but a little awkward for a digital camera where it translates to a 45-170 (ish) lens. Not only that, I found the colors of the lens on digital to be a little unusual, a bit soft, not quite sure exactly how to describe it. Maybe I just got used to the sharp saturated colors of the kit lens that I bought for the Rebel. Either way, I put it away and have seldom used it with my digital camera, but today I decided to play with it a bit and see if I can learn to love the colors and the softer quality overall of this lens. You can see a little of that softness in the image above, where it's a good thing, I think.

And 45-170 isn't that bad for a range, 45 seems like wide when you've been shooting a lot with an 80mm equivalent (the 50mm 1.8 prime).

PPAS

Went in to work today, a week early, to start setting up my room. Of course I had to take some pictures first, and wanted to continue the theme I started yesterday, this time in color from around my school.

I was inspired by (some might say ripped off) Robert Caplin's Urban Sunshine, which Gerry recommended and I really like that style, at least in small doses. Anyway, he didn't invent the idea, but he puts it to good use - it's another set of lighting conditions that presents some nice opportunities to photograph interesting things.

I'm not crazy about the greenery in that first picture, but the only way I could get a decent angle on the banner was to step back and include the tree.

NYC Welding Scar

I forgot to note the full text of the scar on this plate. But I have been looking at a lot of high contrast portraits and street photography lately and when I saw this on the way home today it jumped out at me.

This is really on a relatively micro scale, a small detail in the (scaffolded) steps connecting Bennett and Ft. Washington avenues. Just playing with the light. Or better "Chasing the Light," which I read earlier this summer for inspiration.

Update: NYC ELECT

(Electric, of course!)

Like Every Other Market - Closed

Not that there's anything wrong with that, they are by the river where there was some flooding nearby, and the storm could have been worse. But still, the irony didn't escape me.

The guy in the orange jacket was a bonus, I didn't see him coming till I had already decided to take the picture of the security guard. Lucky me, the guard covered his face and the other guy makes it interesting anyway.

"Hurricane" Irene

Looking over the Hudson River to the Palisades

Just a quickie,  here. There's still a fine, misty precipitation blowing in all directions, making it difficult to shoot anything at this point. Not even the building awnings provide any protection from the lens getting sprayed.

Tried to capture the swaying tree limbs, but the wind really isn't that strong, and even at this shutter speed the subjects are a little soft...

Graffiti Tree

Outside the Cloisters Museum in Fort Tryon Park, where I walk almost every day. I've shot this tree on several occasions from different angles, and can never seem to get it right. This is close. It's in shade all day long, so separating it from the background for contrast isn't easy.

International Center of Photography

This was the last weekend of the Elliott Erwitt show, along with Ruth Gruber and the Hiroshima: Ground Zero images. Friday night is voluntary contributions for admission, and with the hurricane coming (Saturday and Sunday the entire city will be shut down, essentially) and this being therefore the final night, it was pretty crowded.

The Erwitt section was fabulous, all very large prints, easy to view. The other two shows were smaller prints and it was not fun to try to go with the crowd and get close enough to actually appreciate them.

It was somehow refreshing to see how far from perfect these images are by conventional standards. There was a portrait of Jack Kerouac, for instance, where the focus was just in front of his face, on the arm and chest, leaving the face a little soft. In smaller prints it is probably undetectable, but at 16 x 24 or larger even, it's quite noticeable. Still a great portrait. A lot of noticeable dodging and burning as well.  So I don't feel so bad about working the image above to bring out the shadows and bring down the highlights :-)

The guy had a real visual sense of humor, I'll say that. And unorthodox compositions. Check him out. I would say more about Gruber, but I really couldn't see her work so well or give it the time it deserved. Hiroshima also. That exhibit consisted of photos arranged in concentric circles representing the different distances from Ground Zero and documenting the degrees and kinds of destruction done.

Paramus Mini-Golf

For my kids again, just some fun shots at the mini-golf course...

Entrance to the golf course on Paramus Rd.

Fiberglass Blues Brothers figures looking on the mini-golf hut.

Does she need an introduction?

Bruce & friends (it's New Jersey, whaddya expect?)

These things must have a name, a hard surface for writing scores on scorecards.

That's the GWB in the background, too shallow DOF.

Come on, come on, hole in one...grrrr.

Add it up.

Update: After all that work, I decided I don't really like these in B&W. Too dark & heavy.  Don't be surprised if they're replaced by color sometime tonight...

Update 2: Done!

Cabrini Wines

I walk by here every day and this is the first time that I happened to be looking at it with this particular ideal light and a camera in my hand.

Corona

I should probably save this kind of thing for the winter when I don't want to go outside now that I think about it - oh well, too late.

Update:
Oh, and I'm definitely getting Adobe Lightroom soon, academic pricing is pretty good...

George Washington Bridge Tower

Too much?

Subject-wise, just about every tourist and bicyclist who stops at the Little Red Lighthouse takes a picture of the bridge from this angle. I had to do something a little different...

And for Cheryl, the vertical shot - there's a major problem with this one, can you see what it is?

Vertical Tower

Note: I didn't like the cluttered look so I posted the link instead of the pic.

Fire Escape

I keep going out to shoot color and coming back with B&W. This is in my neighborhood again, an ordinary fire escape on the side of a building not facing the street.

Sometimes I think these are ugly things that ruin a street scene and other times I think they add to it. Depends on my mood, I guess. This is more of a test shot, I'll look for better examples to shoot now.

What the heck, I'll thrown this one in as a bonus today. Not sure about the washed out sky...

Same fire escape as first image.

Biker to Biker

A hazy muggy day in the city, and a serendipitous motorcycle rally. I was a little too late to capture the density of the bikers, (haha, I was on my bike as well, bicycle, that is) and had to settle for the stragglers passing by the policemen on the west side highway. There's a little camera attached to the policeman's helmet.

I didn't realize until much later that I was shooting accidentally at 800 ISO, but that actually gives it a grittiness that works for this image, I think.

Lego & Mall Post

For my kids. And a B&W "architectural" shot thrown in for everyone else.

Brick Wall. A small section.

Greatest store in the world?

Lego building event.

We are L E G O

Helpful Lego staff.

Mini-figure parade

Lunch and play time.

Mall-bucks. I don't know the guy waving.

Lego Architecture.

190th Street Subway Station

Feeling a little lazy today! I shot this around noon, should have waited for some people to come out, but I'm still trying to overcome that discomfort about shooting strangers. Next weekend I'm going on a group photo walk downtown, maybe that will give me some cover to break through that barrier. Tomorrow I'm taking my kids to a Lego event, so I could take some people shots there.

I may go out again this evening, but even if I do, I may not have the time to process and post it tonight, so here's today's shot. It's one of those things I believe you just have to have in your collection if you live in New York, a shot of a subway entrance!

On a side note, I am a teacher by profession, so I have the summer off. Most summers I spend a lot of this "free" time brushing up on my content area and preparing curriculum, lessons, labs, etc. for the coming year. This year I felt a little burned out and just needed to not think about school for a while, so that lead me to this photography project. Once September hits and I'm back into the school year, I expect my photo production to plummet. Or maybe not, we'll see. Since I work in Midtown, there will be a lot of opportunities.

This summer I have largely limited myself to my neighborhood in Washington Heights. It's a good exercise in looking carefully for interesting photos in a world that is in some ways too familiar. Everything seems mundane, so you have to try to look at things differently.